SHANGHAI, Nov. 20 (Xinhua) -- Vacheron Constantin,
the Swiss watch giant, has little enthusiasm for pop stars to promote its
products. It prefers something that matches its 252-year-old brand, such as the
fine arts.
It chose Oscar-winning Chinese musician Tan Dun last
month and sponsored his Water Concerto in the financial hub, Shanghai, an event
it believed was in line with its "exquisite" brand image, according to the watch
manufacturer.
The booming Chinese arts scene can be partially
attributed to support by both the government and private sector, according to
Chen Shenglai, president of the center of China Shanghai International Arts
Festival, the largest event of its kind in China.
Chen said there were many symphony orchestras,
dances, musicals and ballets from home and abroad, and more than 6,000 arts
festivals, held in China each year. These events are jointly sponsored by the
government and private businesses.
Jointly hosted by the Ministry of Culture and the
Shanghai Municipal Government, the Shanghai International Arts Festival, which
ended last weekend, has served as a cultural gala and an artistic pageant
bridging China and the world annually since 1999.
Chen said on average, the total cost of the festival
was around100 million yuan (13.16 million U.S. dollars), with about 10 to
12percent from the government budget and the rest from business sponsorship.
"The official support for arts and cultural events is
indispensable in China so as to ensure the full access of arts and cultural
fruits by the general public," said Chen.
He said 40,000 "low-priced tickets" for 50
performances, including those by world-renowned orchestras and ballet troupes,
had been offered to the public at 10-50 yuan (1.32-6.6 U.S. dollars), with the
help of local government funding.
"The government will increase spending in supporting
the development of arts and cultural industries, in accord with the essence of
the Party Congress held last month," Chen said.
Meanwhile, more private enterprises keen to be
"patrons of the arts" are footing the bill of arts events in China.
The 135-year-old Shanghai-based China Merchants Group
(CMG) on Sunday night sponsored a concert by the 111-year-old Czech Philharmonic
Orchestra, an indisputable authority in performing the music of Slav maestros
such as Antonin Dvorak, which closed the month-long Shanghai International Arts
Festival.
Zou Bin, vice-manager of the administration
department of the CMG, said that "the CMG and the orchestra shared long
histories. The orchestra played renowned Czech composer Bedrich Smetana's
popular 'My Fatherland' at the Shanghai-debut concert, which showed the
patriotic sentiment of the CMG."
The principal conductor of the orchestra, Zdenek
Macal, was grateful for the sponsorship, saying he "had probably spent more time
looking for sponsorship than in conducting".
Japan's Panasonic sponsored the ballet "The Magpie
Bridge" by famous Chinese ballerina Tan Yuanyuan, which was staged during the
festival in Shanghai and jointly produced by artists from China and Japan to
mark the 35th normalization of the bilateral relationship.
As one of the first Japanese companies coming to
China in the 1980s, Panasonic, one of the symbols of the commercial ties of the
two countries, got returns from the "strategic" sponsorship, such as promoting
the image of the company by printing logos on tickets and brochures.
Yao Wang, CEO of the Bo'ao Asia Forum, said
sponsoring arts could bring "immeasurable benefits" to sponsors, not only
showing the enterprises' "artistic taste" but also refining a "graceful"
corporate image.
However, Chen said due to a lack of relevant
preferential policies, China was still "at a preliminary stage" in the field of
sponsorship compared with its Western counterparts.
Shen Danyang, vice president of the Chinese Academy
of International Trade and Economic Cooperation, also pointed out that China has
offered no tax rebates to art sponsors, which otherwise could be a great
incentive to encourage arts sponsorship by enterprises.