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BEIJING, Dec. 14 -- The Chinese film industry is
marching forward carefully and optimistically despite a commecial onslaught from
Hollywood.
"Hero" by Zhang Yimou reaped 1.45 billion yuan (about
180 million US dollars) in box office revenue and 30 million yuan (3.75 million
US dollars) in revenue in byproducts including DVDs, stamps and cartoons around
the world.
A Wall Street Journal article said the film had
ushered in a Chinese Blockbuster Age.
Chinese films are participating in the international
competition by involving themselves in the international mainstream market, said
professor Huang Shixian, with the Beijing Film Academy at a forum marking the
centennial of Chinese film, which concluded in Beijing on Tuesday.
Since the mid-1980s, the Chinese movie industry has
gone through a series of decentralizing and liberalizing reforms.
"During that time, market prices were consolidated,
and the government moved decisively to eliminate restrictions on private
ownership," said associate professor Hong Jun-Hao of the Department of
Communication, State University of New York at Buffalo.
"Meanwhile, Hollywood pictures were permitted to be
released in China. The industrial structure and market practices created and
practiced by Hollywood have become the new model for the Chinese movie
industry," he said.
Despite having a market share of 0.9 percent of the
global box office, box office revenues in China hit 1.5 billion yuan (about 183
million US dollars) in 2004, up 60 percent over the previous year, an indication
of the rejuvenation of the country's film industry, experts say.
Out of the 1.5-billion-yuan box office revenue, 55
percent was generated by homemade films, with the top three also being homemade
-- "Kung Fu Hustle" by Hong Kong comedy star Stephen Chow (20.3 million US
dollars), "House of Flying Daggers" by Zhang Yimou (18.5 million US dollars) and
"A World Without Thieves" by Feng Xiaogang (13.3 million US dollars).
Yet there is concern behind the prosperity, some experts attending the forum said.
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