ˇˇˇˇHANGZHOU, March 8 (Xinhuanet) -- While Chinese children are glued to foreign
cartoon films, two Chinese artists are keen to use an ancient theatrical art
form to stimulate the country's "derivative" cartoon industry into producing its
own compelling characters and stories.
ˇˇˇˇShadow play, a folk art the French regard as the earliest form of cinema,
originated in China over 2,000 years ago. In a performance that blends painting,
sculpture, music, singing and drama, light is cast onto puppets made from
leather or paper and moving shadows controlled by players are seen on a screen.
ˇˇˇˇZhao Shutong, a sculptor in southwest China's Sichuan province with a
collection of over 40,000 leather or paper shadow play puppets, said Chinese
cartoonists could be inspired by the art form as long as they researched it
thoroughly.
ˇˇˇˇ"We can find not only various images and characters in the art suitable for
cartoons, but also wonderful stories and even original music," Zhao said.
ˇˇˇˇZhao was echoed by Xu Jiang, dean of the China Academy of Fine Arts based
in Hangzhou, capital city of east China's Zhejiang province.
ˇˇˇˇOriginality was a key for developing the country's cartoon industry, Xu
said. "Only original and creative work will attract the eyes of an audience."
ˇˇˇˇChinese-made cartoons that currently offer children very similar images and
stories to those in Japanese or American productions, were purely derivative, he
said.
ˇˇˇˇThe art of shadow play was really a valuable resource for China's cartoon
industry to learn from, Xu said.
ˇˇˇˇDescribing it as the earliest form of animation in China, Xu suggested
today's cartoonists seek originality from the ancient art.
ˇˇˇˇ"Chinese artists through history have poured so much image-making
and story-telling expertise into the ancient art, so why not draw inspiration
from it?"
ˇˇˇˇXu said some successful Chinese cartoon films in the 1980s had drawn
inspiration from various ancient Chinese art forms includingshadow play.
ˇˇˇˇXu's academy established an animation department last year and plans to set
up a shadow play museum and research center to build up resources of the ancient
art for the cartoon industry.
ˇˇˇˇZhao has decided to donate his puppets to the China Academy of Fine Arts.
The collection is big enough to equip 140 shadow play troupes.
ˇˇˇˇZhao also has a collection of 1,600 hand-written copies of shadow play
scenarios, which he regards as a treasure trove for cartoon story ideas.
ˇˇˇˇCurrently, China has only five shadow play troupes, which mainly perform
abroad. However many foreigners have become interested in the ancient Chinese
art, Zhao said. Over 50 countries besides China now have shadow play troupes,
which gainedtheir performance skills from China.
ˇˇˇˇZhao said as an ancient art, shadow play must incorporate modern artistic
forms to survive.
ˇˇˇˇXu said his academy would endeavor to draw inspiration from shadow play and
was keen to lure Chinese children away from foreign cartoons with excellent
local productions. Enditem